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WHO'S AFRAID OF VIRGINIA WOOLF? (1966) Elizabeth Taylor & Richard Burton Classic

$295.00

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There is only 1 left in stock.

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Estimated to arrive by Fri, May 23rd. Details
Calculated by USPS in US.

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OBO - Seller accepts offers on this item. Details

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Refunds available: See booth/item description for details Details

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PayPal, MasterCard, Visa, Discover, and American Express accepted
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Shipping options

Estimated to arrive by Fri, May 23rd. Details
Calculated by USPS in US.

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Refunds available: See booth/item description for details Details

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

1960-69

Quantity Available:

Only one in stock, order soon

Condition:

Used

Country/Region of Manufacture:

United States

Size:

27x41 inches

Object Type:

Poster

Original/Reproduction:

Original

Industry:

Movies

Item:

Vintage original US one-sheet poster

Modified Item:

No

Movie:

Who's Afraid of Virginia Woolf?

Studio:

Warner Bros.

Year:

1966

Director:

Mike Nichols

Actors:

Elizabeth Taylor, Richard Burton

Actors 2:

George Segal, Sandy Dennis

Item Number:

P-VIRGINIA-1S

Listing details

Seller policies:

View seller policies

Shipping discount:

No combined shipping offered

Posted for sale:

More than a week ago

Item number:

838061745

Item description

Vintage original 27x41 in. US one-sheet poster from the classic 1960's multi-Academy Award-winning drama, WHO'S AFRAID OF VIRGINIA WOOLF?, released in 1966 by Warner Bros. and directed by Mike Nichols. Based upon the highly acclaimed play by gay playwright Edward Albee, and boasting a screenplay by Ernest Lehman, Elizabeth Taylor and Richard Burton co-star as a bitter, aging couple who, with the help of alcohol, use their young houseguests (George Segal and Sandy Dennis) to fuel anguish and emotional pain towards each other over the course of one distressing night. The starkly-designed one-sheet evokes the feeling of anger and rage that is the centerpiece the film's story and depicts a close shot of Martha (Elizabeth Taylor) and her husband, George (Richard Burton), in startling close shots with a vignette of the two of them fighting beneath. Who's Afraid of Virginia Woolf? was the first American film to be given the M.P.A.A. tag: "Important Exception: No one under 18 will be admitted unless accompanied by his parent," due primarily to the coarse and vulgar language that was essentially banned before this film. Unrestored and folded as originally issued, this vintage original one-sheet is in fine+ condition with small areas of separation at the top and bottom center crossfolds; a small area of separation at the start of the bottom horizontal foldline with light signs of wear along the left edge near each fold line; and a small 2 in. long piece of clear Scotch tape on the center of the bottom edge. The color tints are fresh and vibrant without any signs of fading. Every credited member of the cast received an Academy Award nomination and the film became the first movie in Academy Awards and cinema history to be nominated for every Academy Award category in which it was eligible, including Best Adapted Screenplay (Ernest Lehman), Best Director (Mike Nichols), all of the acting categories (Richard Burton, Elizabeth Taylor, George Segal, and Sandy Dennis), and Best Picture of the Year (Ernest Lehman), since Cimarron (1931). Taylor and Dennis won in their categories, while Burton and Segal, sadly, did not. Elizabeth Taylor was only thirty-three when this movie was filmed in 1965, while her character Martha is supposed to be fifty-two, and she gained nearly thirty pounds to play the role of a middle-aged wife just for this movie. In her A E Biography special, Taylor remarked that her performance as "Martha" was her personal best. Academy Award-winning Cinematographer Harry Stradling, Sr. was replaced by Haskell Wexler just after filming began for attempting to "beautify" Taylor, and Wexler won the Academy Award for Best Cinematography, Black-and-White.