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TITLE: The ARTIST'S Magazine
[Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: JULY 1985; VOLUME TWO, NUMBER SEVEN
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

COVER: Moment ofReflection, by Lin Seslar, 9x14, oil on Masonite.


[EACH Artist profile has multiple pages with multiple color illustrations/photos/reproductions![

CAPTURING THE FEEL OF WAVES AND SAND: Lin Seslar shows how to paint realistic ocean scenes in oil.

WATERCOLOR ON HOT-PRESSED: Achieve dazzling, textured effects on this smooth surface. Cathy Johnson explains.

CREATING POURED-PAPER PAINTINGS: How Roland Cook paints landscapes--without a brush.

THE ARTOF ART FA IRS: Strategies for setting up and selling your work, by Syd Brown.

PHOTOGRAPHING YOUR PAINTINGS: Taking professional slides of your work is easier than you think. By Ernest Wehausen.

PAINTING WITH PENCIL: For smooth tone and dynamic highlights, graphite dust maybe the best, by Elaine R. S. Hodges.

PROTECTING YOUR ARTWORK: Your guide to archival supplies and practices.

LETTER FROM THE EDITOR Painting from photographs--why and why not.
LETTERS More insights from our readers.
STRICTLYBUSINESS The 1986 color forecast--the colors that sell.
YOLINGATART How to paint the "dust on butterfly wings.
THEARTIST'S MARKET The facts about consignment, plus places to sell your art.
THEARTIST'S LIFE A fishy tale and breaking artist's block.
BOOKS New reference books for your studio shelf.
STUDIO SUPPLIES Wetter water and other products for the working artist.
THE PRO'S NEST Tips on figuring the bottom line. PS. A painless look at artists "suffering for their art.


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