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TO
"SHOP NAKED."©
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NOW FOR YOUR VIEWING PLEASURE...
"SUNSHINE HARVEST"
OR
"AMBER WAVES OF GRAIN"
LITHOGRAPH PRINT ART BY
AUSTRALIAN ARTIST
WARWICK DEANE
SIGNED BY THE PAINTER
DATED 1995
NO PARTICULAR INFORMATION WAS FOUND ON THIS SERIES BY THE ARTIST
HOWEVER WE BELIEVE IT IS THE
SUNSHINE COAST AREA
OF QUEENSLAND
NEAR THE SHIRE OF NOOSA.
VERY OLD STEAM ENGINE TRACTOR COMBINE IN THE FIELD
NAMED 'SUNSHINE'
THE HARVESTER IS DRAWN BY A LARGE TEAM OF HORSES.
THE WORK WAS ORIGINALLY FRAMED UNDER GLASS
SUBSEQUENTLY THE GLASS HAS BEEN REMOVED
THIS WILL MAKE IT LIGHTER TO SHIP
THE WORK MEASURES ABOUT 24" X 35"
PROFESSIONALLY FRAMED BY
'A CHICO STATE OF MIND' ART GALLERY
CHICO, CALIFORNIA (CA)
IF STANDARD POSTAGE IS HIGH PLEASE
EMAIL ABOUT FREIGHT OPTIONS AT A REDUCED RATE.
Thanks to elizabetwilso-10 for sharing more information with us...
"... wanted to provide
you with more accurate information about this print. It was painted to
celebrate 70 years of rice growing in the Riverina district of New South Wales
in Australia. I have included two photos of the artists original notes
regarding this item. Paddy means rice."
---------------------------------------------
FYI
Warwick has been painting for more than 25 years and has won numerous awards; most notably Best Australian Flora and Fauna painting at the Herald Sun Camberwell Rotary Art Show in 2000 & 2005, and the Wildlife Art Society of Australasia Best Oil award in 2002, Bronze Medal in 2003, Gold Medal in 2004 and Silver Medal in 2006. In 2004 he completed a life size bronze statue of a female cannery worker, set in the 1930s. It was commissioned to commemorate the many female workers at the ‘Letona’ Cannery in Leeton, N.S.W., and the contribution they made over the course of its history. Warwicks artwork has embraced many subjects over the years, beginning with landscapes and images of Australias pioneering heritage. However for the past 10 years he has focused on the subject of wildlife in art. “I have always been a realist, and ever since I picked up a brush I have been striving to capture the quality of light on my subject; but until then I had never felt such a desire to capture and communicate the essence of the subject. I found home as an artist of wildlife. In many regards the artist is storyteller, utilizing natures emotive palette to illustrate a fleeting moment in time that most of us will never bare witness to, but none the less, wish we could. Warwick’s paintings involve you in that silent narrative, capturing the essence of the animal and their environment, expressing a broad range of moods from the most subtle to the most powerful and abstract. Working mainly in oil or charcoal, Warwick spends as much time as possible sketching and researching his subjects in the field. This is his favourite stage in the painting process where he can refine and develop his original ideas, and most importantly spend time with nature. This research gives his paintings an authenticity and attention to detail that lends such credibility to his imagery.
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