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WARWICK DEANE AUSTRALIAN ARTIST VTG FARM TRACTOR WHEAT FIELD PRINT ART AUSTRALIA




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"SUNSHINE HARVEST"

OR

"AMBER WAVES OF GRAIN"

LITHOGRAPH PRINT ART BY

AUSTRALIAN ARTIST

WARWICK DEANE

SIGNED BY THE PAINTER

DATED 1995

 

 

 

 

NO PARTICULAR INFORMATION WAS FOUND ON THIS SERIES BY THE ARTIST

HOWEVER WE BELIEVE IT IS THE

SUNSHINE COAST AREA

OF QUEENSLAND

NEAR THE SHIRE OF NOOSA.

VERY OLD STEAM ENGINE TRACTOR COMBINE IN THE FIELD

NAMED 'SUNSHINE'

 THE HARVESTER IS DRAWN BY A LARGE TEAM OF HORSES.

 

 

 

THE WORK WAS ORIGINALLY FRAMED UNDER GLASS

SUBSEQUENTLY THE GLASS HAS BEEN REMOVED

THIS WILL MAKE IT LIGHTER TO SHIP

THE WORK MEASURES ABOUT 24" X 35"

PROFESSIONALLY FRAMED BY

'A CHICO STATE OF MIND' ART GALLERY

CHICO, CALIFORNIA (CA)

IF STANDARD POSTAGE IS HIGH PLEASE

EMAIL ABOUT FREIGHT OPTIONS AT A REDUCED RATE.

 

 

 Thanks to elizabetwilso-10 for sharing more information with us...


"... wanted to provide you with more accurate information about this print. It was painted to celebrate 70 years of rice growing in the Riverina district of New South Wales in Australia. I have included two photos of the artists original notes regarding this item. Paddy means rice."

 

 

 

 

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FYI

 


  

 

Warwick has been painting for more than 25 years and has won numerous awards; most notably Best Australian Flora and Fauna painting at the Herald Sun Camberwell Rotary Art Show in 2000 & 2005, and the Wildlife Art Society of Australasia Best Oil award in 2002, Bronze Medal in 2003, Gold Medal in 2004 and Silver Medal in 2006.

In 2004 he completed a life size bronze statue of a female cannery worker, set in the 1930s. It was commissioned to commemorate the many female workers at the ‘Letona’ Cannery in Leeton, N.S.W., and the contribution they made over the course of its history.

Warwicks artwork has embraced many subjects over the years, beginning with landscapes and images of Australias pioneering heritage. However for the past 10 years he has focused on the subject of wildlife in art. “I have always been a realist, and ever since I picked up a brush I have been striving to capture the quality of light on my subject; but until then I had never felt such a desire to capture and communicate the essence of the subject. I found home as an artist of wildlife.

In many regards the artist is storyteller, utilizing natures emotive palette to illustrate a fleeting moment in time that most of us will never bare witness to, but none the less, wish we could. Warwick’s paintings involve you in that silent narrative, capturing the essence of the animal and their environment, expressing a broad range of moods from the most subtle to the most powerful and abstract.

Working mainly in oil or charcoal, Warwick spends as much time as possible sketching and researching his subjects in the field. This is his favourite stage in the painting process where he can refine and develop his original ideas, and most importantly spend time with nature. This research gives his paintings an authenticity and attention to detail that lends such credibility to his imagery.

 



(THESE PICTURES FOR DISPLAY ONLY) 

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