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TITLE: METROPOLITAN OPERA NEWS (with program)
[RARE and interesting magazine and program issued by the Metropolitan Opera Guild.]
ISSUE DATE:
April 2003; Vol. 67, No. 10
CONDITION: Magazine size: Approx 8OE" X 11". COMPLETE and in VERY GOOD condition.(See photo)
IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER:
Thomas Quasthoff's life
has been about defying the odds.
Barry Singer's interview with
the bass-baritone begins on page 14.
Photographed in Detmolc Germany, by Hansgeolg Schoner.
Issued weekly during the Opera Season and fortnightly in the Spring and Fall by
THE METROPOLITAN OPERA GUILD 654 MADISON AVENUE, NEW YORK, N. Y.
FEATURES:
Articles and full program listings, including photos from the production!
FEARLESS Thomas Quasthoff has a thriving career as one of classical music's most in-demand recitalists. Now, the bass-baritone has decided that it's time to meet the daunting challenges of the opera stage. BARRY SINGER reports.
THE PROGRESS OF THE RAKE I: REVERSAL OF FORTUNE Today, Stravinsky's opera is regarded as a twentieth-century classic. But as DAVID J. BAKER points out, critical acceptance for The Rake's Progress didn't happen overnight.
THE PROGRESS OF THE RAKE II: THE CASE FOR THE DEFENSE You don't like The Rake's Progress? WILLIAM DUNLOP will change your mind.
CLASSICAL CON BRIO ANDREW FA RAC H -CO LTO N visits with tenor Paul Groves, who is happy to add Stravinsky's Tom Rakewell to his Met resume.
FRENCH IMPRESSIONS Conductor Bertrand de Billy, who leads Faust this month at the Met, talks to BRIAN KELLOW about keeping things stylish.
STRIKING SILENCE Film critic and opera fan JAMES HARVEY explores the singular landscape of Parsifal.
AMERICAN VALKYRIE CONRAD L. OSBORNE examines the career of Helen Traubel, whose antics away from the Met have obscured her standing as a great artist.
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