Peter Katin with The London Symphony Orchestra Mendelssohn Piano Concerto 1 & 2 Vinyl LP Record Album LL 1453

This listing is for Peter Katin with The London Symphony Orchestra Mendelssohn Piano Concerto 1 & 2 Vinyl LP Record Album LL 1453.

LL 1453 - Concerto No. 1 in G for Piano, Op. 25 (Mendelssohn)/Concerto No. 2 (Mendelssohn) - Katin, Anthony Collins, London Symphony

Condition: Jacket: Very Good Vinyl: Very Good

Side 1: Mendelssohn - Concerto No. 1 in G Minor for Piano and Orchestra, Opus 25
First Movement: Molto allegro con fuoco
Second Movement: Andante
Third Movement: Presto - Molto allegro e vivace
Side 2: Mendelssohn - Concerto No. 2 in D Minor for Piano and Orchestra, Opus 40
First Movement: Allegro appossionato
Second Movement: Adagio (Molto sostenuto)
Third Movement: Presto scherzando

Peter Roy Katin (14 November 1930 – 19 March 2015) was a British classical pianist and pedagogue. Katin was born in London; his father was sign-painter Jerrold Katin (who was born in Lithuania) and mother Gertrude. Katin was educated at private schools in Balham, Caterham, and East Grinstead and the Henry Thornton School (then known as the South West London Emergency Secondary School) in Clapham, and was admitted to the Royal Academy of Music at the age of 12, four years younger than the official entry age, where he studied under Harold Craxton. Katin made his debut at the Wigmore Hall on 13 December 1948 where the programme included works by Scarlatti, Mozart, Beethoven, Rachmaninoff, Scriabin and Chopin. He went on to give concerts in England, Europe, Africa, the USA, and Japan.

In 1952, Katin debuted at The Proms and in 1953 was acclaimed for his performance there of Rachmaninoff's Piano Concerto No. 3 in D minor. In 1958, he became the first British pianist to make a post-war solo tour of the Soviet Union. In 1961, the composer Bryan Kelly wrote Tango especially for Katin.

Katin specialised in Romantic music, particularly Chopin, and Impressionist music. He was acclaimed for his technical command of the piano. He also directed concertos by Mozart and Beethoven from the keyboard. His final Wigmore Hall recital was in January 2004. Katin wrote many articles on piano technique and interpretation. He lectured at the Royal Academy of Music 1956–1959, University of Western Ontario 1978–1984, and in 1992 was appointed to the Royal College of Music. He also lectured at Thames Valley University. He supported the Campaign for Homosexual Equality in the 1970s.

In 1954, Katin married fellow pianist, Ewa Zweig, with whom he had two sons, Nicholas and Andrew. After a long separation, they divorced in 1988. He lived in Bexhill-on-Sea. His two sons survive him.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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