Louis Armstrong
Young Louis Armstrong / 1932-1933
Vinyl 2 LP Set - RCA Bluebird AXM2-5519
VG++ First Edition (1977)

Condition: VG++ (EX) Vinyl and VG++ (EX) Cover. Vinyl was play-tested on all sides and plays very well throughout. Some static noise from source recordings. Gatefold cover is fully intact with good color, no splits or writing, spine visible. 

This double LP is the most complete single set of Armstrong's 1932-33 big-band sides, adding a couple of alternates and his one recording with country singer Jimmie Rodgers (from 1930) to the 27 songs and two medleys. Worth looking for, it is increasingly hard to find.

Track listing

A1 That's My Home
A2 Hobo You Can't Ride This Train
A3 I Hate To Leave You Now
A4 (You So And So) You'll Wish You'd Never Been Born
Medley (4:34)
A5a When You're Smiling
A5b St. James Infirmary
A5c Dinah
Medley (4:23)
A6a (I'll Be Glad When You're Dead) You Rascal You
A6b When It's Sleepytime Down South
A6c Nobody's Sweetheart
A7 I've Got The World On A String

B1 I Gotta Right To Sing The Blues
B2 Hustlin' And Bustlin' For Baby
B3 Sittin' In The Dark
B4 High Society
B5 He's A Son Of The South
B6 Some Sweet Day
B7 Basin Street Blues
B8 Honey Do

C1 Snow Ball
C2 Mahogany Hall Stomp
C3 Swing You Cats
C4 Honey Don't You Love Me Anymore
C5 Mississippi Basin
C6 Laughin' Louie
C7 Tomorrow Night (After Tonight)
C8 Dusky Stevedore

D1 There's A Cabin In The Pines
D2 Mighty River
D3 Sweet Sue, Just You
D4 I Wonder Who 3:07
D5 St. Louis Blues
D6 Don't Play Me Cheap
D7 That's My Home
D8 I Hate To Leave You Now

Personnel
Alto Saxophone – Arthur Davey (tracks: A5, A6), Edgar Sampson (tracks: A1 to A4, D7, D8), George Oldham (tracks: A7 to D6), Louis Jordan (tracks: A5, A6), Pete Clark (2) (tracks: A1 to A4, D7, D8), Scoville Brown (tracks: A7 to D6)
Bass – Ed Hayes (2) (tracks: A5, A6), Elmer James (tracks: A1 to A4, D7, D8)
Drums – Benny Hill (3) (tracks: A5, A6), Chick Webb (tracks: A1 to A4, D7, D8), Harry Dial (tracks: D1 to D6), Sid Catlett* (tracks: C4 to C8), Yank Porter (tracks: A7 to C3)
Guitar – John Trueheart (tracks: A1 to A4, D7, D8), Unknown Artist (tracks: A5, A6)
Liner Notes – Rudi Blesh
Piano – Charlie Beal (tracks: C4 to D6), Don Kirkpatrick (4) (tracks: A1 to A4, D7, D8), Teddy Wilson (tracks: A7 to C3), Wesley Robinson (tracks: A5, A6)
Tenor Saxophone – Albert "Budd" Johnson* (tracks: A7 to D6), Ellsworth Blake (tracks: A5, A6), Elmer Williams (tracks: A1 to A4, D7, D8)
Trombone – Charlie Green (tracks: A1 to A4, D7, D8), Keg Johnson (tracks: A7 to D6), Unknown Artist (tracks: A5, A6)
Trumpet – Billy Hicks (tracks: A1 to A4, D7, D8), Charlie Gaines (tracks: A5, A6), Ellis Whitlock* (tracks: A7 to D6), Louis Bacon (tracks: A1 to A4, D7, D8), Louis Hunt (tracks: A1 to A4, D7, D8), Unknown Artist (tracks: A5, A6), Zilner T. Randolph* (tracks: A7 to D6)
Trumpet, Vocals – Louis Armstrong
Tuba, Bass, Trombone – Johns "Bill" Oldham* (tracks: A7 to D6)
Vocals – Louis Armstrong (tracks: A1 to A5, A7 to B3, B5 to B7, C1, C4, C6, C7, D1, D3, D4, D6 to D8)
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Shipping: Calculated domestic shipping via Media Mail or Priority Mail. Will ship internationally at FLAT RATES.  Records mailed in a proper cardboard LP mailer. All records cleaned prior to shipment.

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Payment: Paypal is preferred method of payment.  

Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase.  If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.

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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.


MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

Feel free to contact me with any specific questions.