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American Artist
GREAT art magazine -- artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE -- Exclusive MORE MAGAZINES detailed content description, below! *

ISSUE DATE: APRIL, 2002; Volume 66, Issue 717

IN THIS ISSUE:-
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COVER: Edge of the World (detail), by DEL-BOURREE BACH, 1999, acrylic, 20 x 28. Collection the artist.

METHODS & MATERIALS: AIR TRAVEL AND ART MATERIALS: by CHRISTOPHER WILLARD. Learn what to pack-and what to leave behind-when traveling to a workshop.

NEW MURAL IN NEW YORK CITY SUBWAY HAS ADDED MEANING: by M. STEPHEN DOHERTY. Conceived in the 1980s, the theme of a glass mosaic mural by JACK BEAL takes on new significance today.

SHARING THE LIGHT by THOMAS KINKADE. The value of artwork should he measured by its ability to sustain and enhance the act of living.

WHAT MOTIVATES A COLLECTOR?: by GREGORY J. PETERSON. Understanding the factors that influence collectors can lead to the personal connections that sell panitings.

PAINTING TO REMEMBER: by MICHAEL J. BNRLINGHAM. Although they appear to have been rendered en plein air, LAWRENCE VALENZA's oil landscapes emerge through a process of recollecting fleet- ing and disparate memories.

THE WATERCOLOR PAGE: THE PLEASURE PRINCIPLE by JOHN A. PARKS. BONNIE CASE's small-scale watercolors feel like snap- shots of life as it was illeant to be: rich, engaging, pleasurable, and full of all things good.

MAKING THE LANDSCAPE YOUR OWN: JOSEPH McGURL: by M. STEPHEN DOHERTY. This master of landscape painting constantly re-examines his choice of materials and techniques as he strives to capture the natural appearance of dramatic scenes.

CAPE LIGHT: by ELIZABETH FORST. In recent acrylic works, DEL-BOURREE BACH scales back details to convey the experiential essence of the sea.

THE PASTEL PAGE: THE ART OF SEEING: by COLLIN FRY. With an eye for abstract forms in nature, MARYBETH KOEZE blends pastels with her fingers to create fresh, delicate color combinations.

THE ZEN OF LUMINOSITY: by LINDA M. GOSMAN. Transparent oil glazes snake the paintings of JOHN BRANDON SILLS radiate from within.

NUTS and BOLTS: Testing the lightfastness of ink-jet prints and the reliability of digital files-plus the latest news and opportunities.

DEPARTMENTS:
EDITOR'S NOTE.
LETTERS.
EXHIBITIONS.
TECHNICAL PAGE by Jane Sutherland.
ART MART.
BULLETIN BOARD.
INDEX TO ADVERTISERS.
COMING IN MAY.
RECOMMENDED BOOKS.
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