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TITLE:
American Film
["Journal of the Film and Television Arts" -- Published by the American Film Institute (AFI) -- Hard-to-find magazine!]
ISSUE DATE:
MARCH 1986; Vol. XI, No. 5
CONDITION:
Standard magazine size, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)
IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER: Billy Wilder, Life Achievement Award Winner. Illustration by Stephen Rutherford.
WILDER TIMES --
Billy Wilder tells a hot young screenwriter why a master of the old Hollywood can't work in the new--and how it was, is, and should be.
By CHRIS COLUMBUS.
INSIDE HEARTBURN --
Last fall, Mike Nichols and company descended on a Brooklyn kitchen. Here's what happened.
By GEORGIA A. BROWN.
THE GUINNESS BOOK OF RECORDS --
How the actor punctured balloons, stood up Fidel
Castro, and took a tomahawk to Grace Kelly.
By ALEC GUINNESS.
THE MAN WHO WOULD BE DIFFERENT....
Alan Rudolph makes quirky, personal movies that have earned him a cult following--and, more recently, box-office success.
Will his idiosyncratic vision survive his new respectability?
By DAVID RENSIN.
MISSION TO MOSCOW --
The prospect of a visit to the Evil Empire shook public television to its foundations. The trip proceeded anyway.
By LLOYD KAISER.
THE FASCIST GUNS IN THE WEST --
Are movies like Red Dawn and Rambo just good,
clean American fun, or is Hollywood developing its own brand of fascism?
By J. HOBERMAN.
DIALOGUE ON FILM: PETER WEIR --
From the aborigine to the Amish, the Australian director uses film to cross boundaries between peoples and cultures.
FLASHBACK: ACTING FOR JOHN FORD ....
When actors wanted to act, he wouldn't let them.
But if they didn't, he made them.
By TAG GALLAGHER.
BEHIND THE SCENES: WRITING BLOODY WRITING --
The script was only the beginning for the author of Sunday Bloody Sunday, one of the best films of
the seventies. By PENELOPE GILLIATT.
DEPARTMENTS.
THE EDITING ROOM.
LETTERS.
NEWSREEL.
BOOKS:
Anne Edwards's A Remarkable Woman:
A Biography of Katharine Hepburn.
By BRIGITTE WEEKS.
COLLECTOR'S CHOICE:
GREAT BALLS OF FIRE --
Ten films to enjoy at your Halley's comet-watching party.
By BILL WARREN and BILL THOMAS.
TRAILERS.
FROM THE INSTITUTE.
FREEZE FRAME.
American Film is owned by The American Film Institute, an independent, nonprofit organization serving the public interest, established in 1967 by the National
Endowment for the Arts to advance the an of film and television in the United States. The institute preserves films, operates an advanced conservatory for
filmmakers, gives assistance to new American filmmakers through grants and internships, provides guidance to film teachers and educators, publishes film
books, periodicals, and reference works, supports basic research, and operates a national film repertory exhibition program.
______
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