This listing is for Martin Denny – Exotica Today Vinyl LP Record Album LRP-3465.

Label: Liberty – LRP 3465

Format: Vinyl, LP, Album, Mono

Country: US

Released: 1966

Genre: Jazz, Pop, Folk, World, & Country

Style: Easy Listening, Pacific, Exotica  

Condition:   Jacket:   Very Good           Vinyl:   Very Good

Tracklist:

A1 The Shadow Of Your Smile 3:14

A2 The More I See You 2:00

A3 You Don't See My Love 2:37

A4 Cloudy Summer Afternoon 2:14

A5 Love Me With All Your Heart (Cuando Calienta El Sol) 1:55

A6 On A Clear Day (You Can See Forever)

B1 Strangers In The Night 2:40

B2 Lara's Theme From "Doctor Zhivago" 2:20

B3 A Patch Of Blue 1:39

B4 You Don't Have To Say You Love Me (Io Che Non Vivo (Senza Te)) 2:48

B5 Promises 2:29

B6 Snowflakes In Summer 2:24

Martin Denny (April 10, 1911 – March 2, 2005) was an American pianist, composer, and arranger. Known as the "father of exotica," he was a multi-instrumentalist and could play a number of percussion instruments. In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture. 

Denny described the music his combo played as "window dressing, a background". He built a collection of strange and exotic instruments with the help of several airline friends. They would bring Denny back these instruments and he would build arrangements around them. His music was a combination of ethnic styles: South Pacific, the Orient and Latin rhythms. During an engagement at the Shell Bar, Denny discovered what would become his trademark and the birth of "exotica". The bar had a very exotic setting: a little pool of water right outside the bandstand, rocks and palm trees growing around, very quiet and relaxed. As the group played at night, Denny became aware of bullfrogs croaking. The croaking blended with the music and when the band stopped, so did the frogs. He thought it was a coincidence at first, but when he tried the tune again later, the same thing happened. This time, his bandmates began doing all sorts of tropical bird calls as a gag. The band thought it nothing more than a joke. The next day, someone approached Denny and asked if he would do the arrangement with the birds and frogs. He agreed. At rehearsal, he had the band do "Quiet Village" with each doing a bird call spaced apart. Denny did the frog part on a grooved cylinder and the whole thing became incorporated into the arrangement of "Quiet Village". It sold more than one million copies, and was awarded a gold disc. The album jacket was an influential factor guiding the fantasy of Denny's music. Denny's first dozen albums featured model Sandy Warner on the cover. Art designers always changed her looks to fit the mood of the package. For instance, we called one album with an African sound Afro-desia and Sandy dyed her hair blond for the photo session; she's seen against a background of colorful African masks. When we did Hypnotique, which is surrealistic, she had dark hair. For Primitiva, she was photographed standing waist-deep in water. The Exotica album was recorded in December 1956 and released in 1957. In 1958, Dick Clark hosted Denny on American Bandstand. "Quiet Village" reached #2 on Billboard's charts in 1959 with the Exotica album reaching #1. He rode the charts of Cashbox and Variety also. Denny had as many as three or four albums on the charts simultaneously during his career. He had national hits with "A Taste of Honey", "The Enchanted Sea", and "Ebb Tide". Denny died in Honolulu on March 2, 2005, aged 93. Following a private memorial service, his ashes were scattered at sea.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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