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Chesbrough-Ponds – Children's Song Treasury
Label: Chesebrough-Pond's – GSF 12574
Format: 4 x Vinyl, LP, Stereo
Country: US
Released: 1975
Genre: Children's
Style: Nursery Rhymes
Tracklist
A1 Twinkle Twinkle Little Star
A2 To Bed, To Bed
A3 Cockels & Mussels
A4 Bobby Shafto
A5 All Through the Night
A6 Hush Little Baby
A7 Rock A Bye Baby
A8 Brahms' Lullaby
A9 Sing a Song of Sixpence
A10 Rain, Rain, Go Away
A11 Tom, Tom, The Piper's Son
A12 Little Jack Horner
A13 To Market, To Market
A14 Hey Diddle Diddle
A15 Deedle Deedle Dumpling
A16 My Black Hen
A17 Simple Simon
A18 Polly Put the Kettle on
A19 Peas Porridge Hot
A20 Little Miss Muffet
A21 Ship a Sailing
B1 Happy Birthday
B2 Baa Black Sheep
B3 Humpty Dumpty
B4 Goosey Goosey Gander
B5 The Muffin Man
B6 Cock-a-Doodle Doo
B7 Lazy Mary
B8 Little Bo Peep
B9 Jack and Jill
B10 Mistress Mary
B11 Sailing, Sailing
B12 Eensey, Weensey Spider
B13 Jack Spratt
B14 Little Tommy Tucker
B15 Rub a Dub Dub
B16 Little Polly Flinders
B17 Old Woman in a Shoe
B18 Good Morning Mary Sunshine
B19 Hickory Dickory Dock
B20 A Tisket, A Tasket
B21 Did You Ever See a Lassie?
B22 This Little Pig Went to Market
B23 Jack Be Nimble
B24 Pop Goes the Weasel
B25 Lucy Lockett
B26 Three Little Kittens
C1 Dixie
C2 Yellow Rose of Texas
C3 Pick a Bale of Cotton
C4 On Top of Old Smokey
C5 Day-O
C6 Daisy
C7 Erie Canal
C8 Jolly Old Roger
C9 My Bonnie
C10 Turkey in the Straw
C11 Knick Knack Paddy Wack
D1 All Night, All Day
D2 For He's a Jolly Good Fellow
D3 The Old Grey Mare
D4 Yankee Doodle
D5 Bingo
D6 Blue Tail Fly
D7 Stamp Song
D8 Good Morning to You
D9 As I Was Walking
D10 Where Oh Where Has My Little Dog Gone
D11 Tweedle Dee Tweedle Dum
D12 A Hunting We Will Go
D13 Lavender Blue
D14 Hail, Hail
D15 Goodnight Ladies
D16 Polly Wolly Doodle
D17 Blow The Man Down
E1 London Bridge
E2 Ten Little Farmer Boys
E3 Pat A Cake
E4 Ring Around The Rosey
E5 Skip To My Lou
E6 One, Tow, Buckle My Shoe
E7 ABC
E8 Ten Little Indians
E9 Old Brass Wagon
E10 Hokey Pokey
E11 Farmer in the Dell
E12 The Mulberry Bush
E13 The Green Bottles
F1 Over The River
F2 Diller A Dollar
F3 Fiddle De Dee
F4 School Days
F5 Mary Had a Little Lamb
F6 Billy Boy
F7 Old King Cole
F8 Row, Row, Row Your Boat
F9 Old MacDonald
F10 Lady Bug, Lady Bug
F11 Pussy Cat
F12 Clementine
F13 It Ain't Gonna Rain
F14 Casey At The Bat
G1 Frog Went a Courtin'
G2 When I First Came To This Land
G3 Lemon Tree
G4 Boll Weevil
G5 East Side, West Side
G6 Little Brown Jug
G7 Buffalo Gals
G8 Puff, The Magic Dragon
G9 Aikin Drum
G10 Three Blind Mice
G11 Oh Susannah
G12 Little Tin Soldier
G13 Scarborough Fair
H1 Hokey Pokey
H2 Turkey In The Straw
H3 Knick Knack Paddy Wack
H4 Blue Tail Fly
H5 Puff, The Magic Dragon
H6 Bingo
H7 Farmer In The Dell
H8 London Bridge
H9 The Mulberry Bush
H10 The Green Bottles
H11 Little Farmer Boys
Produced For – Chesebrough-Pond's – GSF 12574
This was a promotional set given to customers who saved up point from purchases.
SOUND TESTED - BUYER APPROVED
RECORD PLAYS VG+ > EX
COVER is VG > VG+ for slip cover
INLAY is EX > EX+
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FYI
In music, a single or record single is a type of release, typically a recording of fewer tracks than an LP or a CD. This can be released for sale to the public in a variety of different formats. In most cases, the single is a song that is released separately from an album, but it can still appear on an album. Often, these are the most popular songs from albums that are released separately for promotional uses such as commercial radio airplay, and in other cases a recording released as a single does not appear on an album. 45 rpm records are played on a record player or turntable. They can be played one at a time, with the records changed manually after they finish, or a stacking spindle could be used to play up to six in succession without manually changing them. The use of the spindle led to the coined "Stack O Wax" term in the 1950s.
History: The basic parameters of the music single were established in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercial music. Gramophone discs were manufactured with a range of playback speeds (from 16 rpm to 78 rpm) and in several sizes (including 12″/30 cm). By around 1910, however, the 10-inch (25 cm) 78 rpm shellac disc had become the most commonly used format.
The inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The relatively crude disc cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, and a high rotation speed was necessary to achieve acceptable recording and playback fidelity. 78 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm.
These factors, combined with the 10-inch songwriters and performers increasingly tailored their output to fit the new medium. The 3-minute single remained the standard into the 1960s when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recordings. In 1968 songwriter Jimmy Webb shattered the standard 3 minute format with "MacArthur Park" which exceeds 7 minutes length. Although Webb had written million-selling songs and was a multiple Grammy winner, the song had been rejected by several labels as simply too long for the marketplace to bear. The Beatles' also challenged deliberately the long-standing 3-minute standard for pop singles with their 1968 7 minute 20 second single "Hey Jude" which according to some was extended in length in order to exceed "MacArthur Park"
Singles have been issued in various formats, including 7-inch (18 cm), 10-inch (25 cm) and 12-inch (30 cm) vinyl discs (usually playing at 45 rpm); 10-inch (25-cm) shellac discs (playing at 78 rpm); cassette, 8 and 12 cm (3- and 5-inch) CD singles and 7-inch (18 cm) plastic flexi discs. Other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc (5″/12 cm, 8″/20 cm, etc.).
The most common form of the vinyl single is the 45 or 7 inch, the names are derived from its play speed, 45 rpm and the standard diameter 7″ (18 cm).
The 7″ 45 rpm record was introduced in 1949 by RCA as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s.
Although 7″ remained the standard size for vinyl singles, 12″ singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of the 12″ discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they 'wore' better, and were less susceptible to scratches. The 12″ single is still considered a standard format for dance music, though its popularity has declined in recent years.
The sales of singles are recorded in record charts in most countries in a Top 40 format. These charts are often published in magazines and numerous television shows and radio programs count down the list. In order to be eligible for inclusion in the charts the single must meet the requirements set by the charting company, usually governing the number of songs and the total playing time of the single.
In popular music, the commercial and artistic importance of the single (as compared to the EP or album) has varied over time, technological development, and according to the audience of particular artists and genres. Singles have generally been more important to artists who sell to the youngest purchasers of music (younger teenagers and pre-teens), who tend to have more limited financial resources. Perhaps the golden age of the single was on 45's in the 1950s and early 1960s in the early years of rock music. Starting in the mid-sixties, albums became a greater focus and more important as artists created albums of uniformly high quality and coherent themes, a trend which reached its apex in the development of the concept album. Over the first decade of the 21st century, the single generally received less and less attention in the United States as albums, which on Compact Disc had virtually identical production and distribution costs but could be sold at a higher price, became most retailers' primary method of selling music. Singles continued to be produced in the UK and Australia but have declined since the mid first decade of the 21st century.
Dance music, however, has followed a different commercial pattern, and the single, especially the 12-inch vinyl single, remains a major method by which dance music is distributed.
As of 2006 the single seems to be undergoing something of a revival. Commercial music download sites reportedly sell mostly single tracks rather than whole albums, and the increase in popularity seems to have rubbed off on physical formats. Portable audio players, which make it extremely easy to load and play songs from many different artists, are claimed to be a major factor behind this trend.
A related development has been the popularity of mobile phone ringtones based on pop singles (on some modern phones, the actual single can be used as a ringtone). In September 2007, Sony BMG announced they would introduce a new type of CD single, called "ringles", for the 2007 holiday season. The format included three songs by an artist, plus a ringtone accessible from the user's computer. Sony announced plans to release 50 ringles in October and November, while Universal Music Group expected to release somewhere between 10 and 20 titles.
In a reversal of this trend, a single has been released based on a ringtone itself. The Crazy Frog ringtone, which was a cult hit in Europe in 2004, was released as a mashup with Axel F in June 2005 amid a massive publicity campaign and subsequently hit #1 on the UK charts.
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