Issue Date: JULY, 1999; VOLUME 63, ISSUE 684
IN THIS ISSUE:-
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.
COVER: Pacific Afternoon Still Life (detail), by MICHAEL CHAPMAN, 1998, oil, 42 x 55. Private collection. Photo courtesy Terrence Rogers Fine Art, Santa Monica, California.

FEATURES:
METHODS & MATERIALS: USING STUDIES TO BUILD A PAINTING by Christopher Willard.

SORTING OUT THE PRINT MARKET by Karen Raiigust. Here's what artists should know about reproducing paintings as prints, including a sampling of the services and fees of several tine--art printers.

MAN WITH A MUSE by Michael J. Burlingham. Painting in poursuit of beauty, TIMOTHY S. SOLLIDAY is a temporal hybrid--a 20th-- century artist with a 19th-- century muse.

THE PASTEL PAGE: SCOTTISH CARAVANS, CASTLES, & CRITIQUES by Urania Christy Tarbet. The participants in this pastel workshop survived harsh Scottish weather to come away with an expanded knowledge of working on location an(I sketchhooks full of observations.

A TRANSIENT REALITY: THE PAINTINGS OF MICHAEL CHAPMAN by E. Lynne Moss. Using a palette knife technique, this California artist layers oil paint into carefully composed images of life's transience.

THE WATERCOLOR PAGE: POURING IT ON by Jan Fabian Wallake A Pigment-Poureing technique helped Jan Fabian Wallake embrace the free--flowing unpredictability of watercolor painting.

EXTRAORDINARY LIVES by Elizabeth Forst. Cynda Valle iinhues her oil paintings with the sense of an alternative universe, transforming ordinary, suburban lives into something extraordinary.

NUTS & BOLTS: A new perspective on positive and negative space tising colored pencil, plus the latest art news and opportunities.

DEPARTMENTS:
EDITOR'S NOTE. LETTERS. EXHIBITIONS.
TECHNICAL PAGE By Jane Sutherland.
ART MART.
BULLETIN BOARD.
INDEX TO ADVERTISERS.
COMING IN AUGUST.
RECOMMENDED BOOKS.
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.