This listing is for Shawn Phillips – Collaboration Vinyl LP Record Album SP-4324.
Label: A&M Records – SP 4324
Format: Vinyl, LP, Album, Stereo, Gatefold
Country: US
Released: 1971
Genre: Rock
Style: Soft Rock
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Us We Are 5:03
A2 Burning Fingers 3:30
A3 Moonshine 4:41
A4 For Her 1:57
A5 What's Happenin' Jim! 3:34
A6 Armed 6:48
B1 Spaceman 3:26
B2 Times Of A Madman Trials Of A Thief 2:42
B3 8500 Years 2:32
B4 The Only Logical Conclusion 4:51
B5 Coming Down Soft & Easy 5:14
B6 Springwind 9:28
Shawn Phillips (born February 3, 1943) is an American singer-songwriter and musician, primarily influential in the 1960s and 1970s. His work is rooted in folk rock but straddles other genres, including jazz fusion and funk. Phillips has recorded twenty-six albums and worked with musicians including Donovan, Paul Buckmaster, J. Peter Robinson, Eric Clapton, Steve Winwood, Bernie Taupin, Tim Hardin, Manos Hatzidakis and many others. Rock impresario Bill Graham described the Texas-born musician as "the best kept secret in the music business". Phillips' AllMusic biography states: "His refusal to pigeonhole his music – which seamlessly melds folk, rock, jazz, funk, progressive, pop, electro, classical, and global folk traditions – to meet anyone else's expectations allowed him to retain his cult following without ever achieving the stardom that his talent seemed to merit."
Phillips was born in Fort Worth, Texas, the son of James Atlee Phillips, writer of spy novels under the pseudonym of Philip Atlee, and nephew of CIA officer David Atlee Phillips. He grew up in various locations around the world, including Tahiti, and learned to play guitar as a child. He returned to live in Texas in the late 1950s, and, after a time in the U.S. Navy, moved to California. He played in folk clubs in the early 1960s, alongside singer-songwriter Tim Hardin, comedian Lenny Bruce and others, and when in Saskatoon, Canada, met and taught guitar techniques to aspiring singer Joni Anderson (later Mitchell). He recorded his first single, an adaptation of Bob Gibson's version of "Frankie and Johnnie" (credited as "The New Frankie & Johnnie Song"), in 1964. While travelling to India, he stopped in London and met record producer Denis Preston, who signed him to Columbia Records. Phillips released two albums on the label, I'm a Loner (1965) and Shawn (1966), though neither was successful. During this period, Phillips also met Donovan. The pair ultimately collaborated on several songs, including "Season of the Witch", for which Phillips (though uncredited) composed the melody. Phillips also appeared on several of Donovan's albums, including Fairytale (on which Phillips is credited as writer of "Little Tin Soldier"), Sunshine Superman, and Mellow Yellow. Through Donovan, he met The Beatles and contributed backing vocals on "Lovely Rita". Phillips played the character Paul Taylor in the 1966 film "Run with the Wind", which he also wrote songs for. In 1967, he left England after his work permit expired and after a period in Paris moved to Positano in Italy, while continuing to tour. He returned to England to write and perform, with The Djinn, the music for the controversial Jane Arden play Vagina Rex and the Gas Oven at the Arts Laboratory on Drury Lane in London in February 1969. Sponsored by Dick James, he also recorded material with Steve Winwood, Jim Capaldi and Chris Wood of Traffic. This was intended to become a trilogy of albums, combining songs together with instrumental pieces and verse readings. He was signed by A&M Records, but they decided to release only one album, comprising only Phillips' songs, which was released as Contribution (1970). The album, which ranged from folk rock to "introspective quasi-classical guitar pieces" was relatively successful, and Phillips released a string of further albums on A&M through the 1970s, starting with Second Contribution (1970), and Collaboration (1971). The song with which he is most widely associated is "She Was Waiting For Her Mother At The Station In Torino And You Know I Love You Baby But It's Getting Too Heavy To Laugh", more commonly known as "Woman", from the Second Contribution album. Phillips continued to tour and secured a standing ovation for his impromptu solo performance at the 1970 Isle of Wight Festival. He was also approached to be the lead in the Broadway production of Jesus Christ Superstar, and started rehearsing the show, but withdrew because of contractual disagreements with the show's producer, Robert Stigwood. He recorded successfully throughout the 1970s, with four of his albums – Faces (1972; No. 57), Bright White (1973; No. 72), Furthermore (1974; No. 50), and Do You Wonder (1975; No. 101) – reaching the Billboard pop LP chart in the U.S. In addition, the singles "Lost Horizon" (No. 63) and "We" (No. 92) appeared on the Billboard Hot 100 chart in 1973. According to Bruce Eder at Allmusic, his 1970s recordings "established his reputation for boundless, nearly peerless creativity and virtuosity... as a 12-string guitarist combined with his four-octave vocal range.....Writers lavished praise on Phillips for his unusual lyrics, haunting melodies, daunting musicianship, and the ambition of his records. He was a complete enigma, American-born but raised internationally, with a foreigner's keen appreciation for all the music of his homeland and a seasoned traveler's love of world music, with none of the usual limits on his thinking about music." Eder continued: "Phillips never achieved major stardom, despite his critical accolades. He never courted an obvious commercial sound, preferring to write songs that, as he put it, 'make you feel different from the way you felt before you started listening,' primarily love songs and sonic landscapes." Later in the 1970s, Phillips began experimenting with jazz and funk music. using electronic keyboards. He moved to RCA Records, and released Transcendence (1978), on which he played with Herbie Hancock and a symphony orchestra. He also wrote music for movies. After moving from Italy back to Los Angeles, he recorded Beyond Here Be Dragons with musicians including Alphonso Johnson, Caleb Quaye, J. Peter Robinson, and Ralph Humphrey; the album was released in 1988. Phillips retired from music in the mid-1990s and qualified as an emergency medical technician (EMT) and firefighter in Texas.
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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