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NOW FOR YOUR VIEWING PLEASURE…

Pablo Casals – Opera Sacra
Label:    Harmonia Mundi – HM 30 632
Format:    Vinyl, LP, Album, Mono
Country: Germany
Released: 1962
Genre:    Classical
Style:    Early

TRACKLIST
A1        Nigra Sum
A2        Rosarium Beatae Virginis Mariae
A3        Salve Montserratina
B1        O Vos Omnes
B2        Canco A la Verge
B3        Total Pulchra Es
B4        Eucaristica
B5        Recordae Virgo Mater

Early HM Mono release; Gold label. Sleeve notes on German, French & English.

Music and Lyrics included in Booklet

Original Sales Cellophane "VERPACKUNG"

Credits
    Choir – Choir Of The Montserrat Cappella
    Composed By – Pau Casals
    Conductor – Dom Ireneu M. Segarra
    Liner Notes – Dom Gregori Ma Estrada

SOUND TESTED - BUYER APPROVED
RECORD PLAYS VG+ > EX

COVER IS VG > VG+

light paper cover, with 1" tear on back

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FYI


Pau Casals i Defillo (Catalan: [ˈpaw kəˈzalz i ðəfiˈʎo]; 29 December 1876 – 22 October 1973), usually known in English by his Castilian Spanish name Pablo Casals, was a Spanish and Puerto Rican cellist, composer, and conductor. He is generally regarded as the pre-eminent cellist of the first half of the 20th century and one of the greatest cellists of all time. He made many recordings throughout his career of solo, chamber, and orchestral music, including some as conductor, but he is perhaps best remembered for the recordings of the Bach Cello Suites he made from 1936 to 1939. He was awarded the Presidential Medal of Freedom in 1963 by President John F. Kennedy (though the ceremony was presided over by Lyndon B. Johnson).

Legacy
Centenary statue, by Josep Viladomat [es], Montserrat
Pablo Casals Museum, in San Juan, Puerto Rico

In 1959, American writer Max Eastman wrote of Casals:
    He is by common consent the greatest cellist that ever lived. Fritz Kreisler went farther and described him as "the greatest man who ever drew a bow."

The southern part of the highway C-32 in Catalonia, Spain, is named Autopista de Pau Casals.

The International Pau Casals Cello Competition is held in Kronberg and Frankfurt am Main, Germany, under the auspices of the Kronberg Academy once every four years, starting in 2000, to discover and further the careers of the future cello elite, and is supported by the Pau Casals Foundation, under the patronage of his widow, Marta Casals Istomin. One of the prizes is the use of one of the Gofriller cellos owned by Casals. The first top prize was awarded in 2000 to Claudio Bohorquez.

Australian radio broadcaster Phillip Adams often fondly recalls Casals' 80th birthday press conference where, after complaining at length about the troubles of the world, he paused to conclude with the observation: "The situation is hopeless. We must take the next step".

American comedian George Carlin, in his interview for the Archive of American Television, refers to Casals when discussing the restless nature of an artist's persona. As Carlin states, when Casals (then aged 93) was asked why he continued to practice the cello three hours a day, Casals replied, "'I'm beginning to notice some improvement ...' [A]nd that's the thing that's in me. I notice myself getting better at this," Carlin continued.

In Puerto Rico, the Casals Festival is still celebrated annually. There is also a museum dedicated to the life of Casals located in Old San Juan. On 3 October 2009, Sala Sinfonica Pau Casals, a symphony hall named in Casals' honour, opened in San Juan, Puerto Rico. The $34 million building, designed by Rodolfo Fernandez, is the latest addition to the Centro de Bellas Artes complex. It is the new home of the Puerto Rico Symphony Orchestra.

Prades, France, is home to another Pablo Casals Museum located inside the public library. Many of the artist's memorabilia and precious documents are there: photos, concert outfits, authentic letters, original scores of the Pessebre, interview soundtracks, films, paintings, a cello, and his first piano.

In Tokyo, the Casals Hall opened in 1987 as a venue for chamber music. Pau Casals Elementary School in Chicago is named in his honor. I.S. 181 in the Bronx is also named after Casals.

Casals' motet O vos omnes, composed in 1932, is frequently performed today.

In Pablo Larraín's 2016 film Jackie, Casals is played by Roland Pidoux.

In 2019, Casal's album Bach Six Cello Suites was selected by the Library of Congress for preservation in the National Recording Registry as "culturally, historically, or aesthetically significant".

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In music, a single or record single is a type of release, typically a recording of fewer tracks than an LP or a CD. This can be released for sale to the public in a variety of different formats. In most cases, the single is a song that is released separately from an album, but it can still appear on an album. Often, these are the most popular songs from albums that are released separately for promotional uses such as commercial radio airplay, and in other cases a recording released as a single does not appear on an album. 45 rpm records are played on a record player or turntable. They can be played one at a time, with the records changed manually after they finish, or a stacking spindle could be used to play up to six in succession without manually changing them. The use of the spindle led to the coined "Stack O Wax" term in the 1950s.

History
The basic parameters of the music single were established in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercial music. Gramophone discs were manufactured with a range of playback speeds (from 16 rpm to 78 rpm) and in several sizes (including 12″/30 cm). By around 1910, however, the 10-inch (25 cm) 78 rpm shellac disc had become the most commonly used format.

The inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The relatively crude disc cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, and a high rotation speed was necessary to achieve acceptable recording and playback fidelity. 78 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm.

These factors, combined with the 10-inch songwriters and performers increasingly tailored their output to fit the new medium. The 3-minute single remained the standard into the 1960s when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recordings. In 1968 songwriter Jimmy Webb shattered the standard 3 minute format with "MacArthur Park" which exceeds 7 minutes length. Although Webb had written million-selling songs and was a multiple Grammy winner, the song had been rejected by several labels as simply too long for the marketplace to bear. The Beatles' also challenged deliberately the long-standing 3-minute standard for pop singles with their 1968 7 minute 20 second single "Hey Jude" which according to some was extended in length in order to exceed "MacArthur Park"

Singles have been issued in various formats, including 7-inch (18 cm), 10-inch (25 cm) and 12-inch (30 cm) vinyl discs (usually playing at 45 rpm); 10-inch (25-cm) shellac discs (playing at 78 rpm); cassette, 8 and 12 cm (3- and 5-inch) CD singles and 7-inch (18 cm) plastic flexi discs. Other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc (5″/12 cm, 8″/20 cm, etc.).

The most common form of the vinyl single is the 45 or 7 inch, the names are derived from its play speed, 45 rpm and the standard diameter 7″ (18 cm).

The 7″ 45 rpm record was introduced in 1949 by RCA as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s.

Although 7″ remained the standard size for vinyl singles, 12″ singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of the 12″ discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they 'wore' better, and were less susceptible to scratches. The 12″ single is still considered a standard format for dance music, though its popularity has declined in recent years.

The sales of singles are recorded in record charts in most countries in a Top 40 format. These charts are often published in magazines and numerous television shows and radio programs count down the list. In order to be eligible for inclusion in the charts the single must meet the requirements set by the charting company, usually governing the number of songs and the total playing time of the single.

In popular music, the commercial and artistic importance of the single (as compared to the EP or album) has varied over time, technological development, and according to the audience of particular artists and genres. Singles have generally been more important to artists who sell to the youngest purchasers of music (younger teenagers and pre-teens), who tend to have more limited financial resources. Perhaps the golden age of the single was on 45's in the 1950s and early 1960s in the early years of rock music. Starting in the mid-sixties, albums became a greater focus and more important as artists created albums of uniformly high quality and coherent themes, a trend which reached its apex in the development of the concept album. Over the first decade of the 21st century, the single generally received less and less attention in the United States as albums, which on Compact Disc had virtually identical production and distribution costs but could be sold at a higher price, became most retailers' primary method of selling music. Singles continued to be produced in the UK and Australia but have declined since the mid first decade of the 21st century.

Dance music, however, has followed a different commercial pattern, and the single, especially the 12-inch vinyl single, remains a major method by which dance music is distributed.

As of 2006 the single seems to be undergoing something of a revival. Commercial music download sites reportedly sell mostly single tracks rather than whole albums, and the increase in popularity seems to have rubbed off on physical formats. Portable audio players, which make it extremely easy to load and play songs from many different artists, are claimed to be a major factor behind this trend.

A related development has been the popularity of mobile phone ringtones based on pop singles (on some modern phones, the actual single can be used as a ringtone). In September 2007, Sony BMG announced they would introduce a new type of CD single, called "ringles", for the 2007 holiday season. The format included three songs by an artist, plus a ringtone accessible from the user's computer. Sony announced plans to release 50 ringles in October and November, while Universal Music Group expected to release somewhere between 10 and 20 titles.

In a reversal of this trend, a single has been released based on a ringtone itself. The Crazy Frog ringtone, which was a cult hit in Europe in 2004, was released as a mashup with Axel F in June 2005 amid a massive publicity campaign and subsequently hit #1 on the UK charts.​

(THIS PICTURE FOR DISPLAY ONLY)

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