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DROON
or
STRATOS LIVING
OIL ON CANVAS
BY ARTISAN
V. ROSENBERG
DEPICTING A STONE CITY BUILT
ON A MOUNTAIN CAVE
HIGH UP IN THE CLOUDS
MEASURES ABOUT 18.5" X 30.5"
PROFESSIONALLY FRAMED BY
CREATIVE GALLERIES
KALAMAZOO MICHIGAN
#62668
or
STRATOS LIVING
OIL ON CANVAS
BY ARTISAN
V. ROSENBERG
DEPICTING A STONE CITY BUILT
ON A MOUNTAIN CAVE
HIGH UP IN THE CLOUDS
MEASURES ABOUT 18.5" X 30.5"
PROFESSIONALLY FRAMED BY
CREATIVE GALLERIES
KALAMAZOO MICHIGAN
#62668
FYI
--------------------------------------------
Fairy tale is a type of short narrative that typically features such folkloric characters, such as fairies, goblins, elves, trolls, dwarves, giants or gnomes, and usually magic or enchantments. However, only a small number of the stories thus designated explicitly refer to fairies. The stories may nonetheless be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicitly moral tales, including beast fables.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending) or "fairy tale romance" (though not all fairy tales end happily). Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale.
In cultures where demons and witches are perceived as real, fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
Fairy tales are found in oral and in literary form. The history of the fairy tale is particularly difficult to trace, because only the literary forms can survive. Still, the evidence of literary works at least indicates that fairy tales have existed for thousands of years, although not perhaps recognized as a genre; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world. Fairy tales, and works derived from fairy tales, are still written today.
The older fairy tales were intended for an audience of adults as well as children, but they were associated with children as early as the writings of the précieuses; the Brothers Grimm titled their collection Children's and Household Tales, and the link with children has only grown stronger with time.
Folklorists have classified fairy tales in various ways. Among the most notable are the Aarne-Thompson classification system and the morphological analysis of Vladimir Propp. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales.
Although the fairy tale is a distinct genre within the larger category of folktale, the definition that marks a work as a fairy tale is a source of considerable dispute. One universally agreed-upon matter is that fairy tales do not require fairies. (The term itself comes from the translation of Madame D'Aulnoy's conte de fées, first used in her collection in 1697.) Common parlance conflates fairy tales with beast fables and other folktales, and scholars differ on the degree to which the presence of fairies and/or similarly mythical beings (e.g., elves, goblins, trolls, giants) should be taken as a differentiator. Vladimir Propp, in his Morphology of the Folktale, criticized the common distinction between "fairy tales" and "animal tales" on the grounds that many tales contained both fantastic elements and animals. Nevertheless, to select works for his analysis, Propp used all Russian folktales classified as a folk lore Aarne-Thompson 300-749—in a cataloguing system that made such a distinction—to gain a clear set of tales. His own analysis identified fairy tales by their plot elements, but that in itself has been criticized, as the analysis does not lend itself easily to tales that do not involve a quest, and furthermore, the same plot elements are found in non-fairy tale works.
Folk and literary
Many writers have written in the form of the fairy tale. These are the literary fairy tales, or Kunstmärchen. The oldest forms, from Panchatantra to the Pentamerone, show considerable reworking from the oral form. The Brothers Grimm were among the first to try to preserve the features of oral tales. Yet the stories printed under the Grimm name have been considerably reworked to fit the written form.
Literary fairy tales and oral fairy tales freely exchanged plots, motifs, and elements with one another and with the tales of foreign lands. Many 18th-century folklorists attempted to recover the "pure" folktale, uncontaminated by literary versions. Yet while oral fairy tales likely existed for thousands of years before the literary forms, there is no pure folktale. And each literary fairy tale draws on folk traditions, if only in parody. This makes it impossible to trace forms of transmission of a fairy tale. Oral story-tellers have been known to read literary fairy tales to increase their own stock of stories and treatments.
History
The oral tradition of the fairy tale came long before the written page. Tales were told or enacted dramatically, rather than written down, and handed down from generation to generation. Because of this, the history of their development is necessarily obscure. The oldest known written fairy tales stem from ancient Egypt, c. 1300 BC (ex. The Tale of Two Brothers), and fairy tales appear, now and again, in written literature throughout literate cultures, as in The Golden Ass, which includes Cupid and Psyche (Roman, 100–200 AD), or the Panchatantra (India 3rd century BCE), but it is unknown to what extent these reflect the actual folk tales even of their own time. The stylistic evidence indicates that these, and many later collections, reworked folk tales into literary forms. What they do show is that the fairy tale has ancient roots, older than the Arabian Nights collection of magical tales (compiled circa 1500 AD), such as Vikram and the Vampire, and Bel and the Dragon. Besides such collections and individual tales, in China, Taoist philosophers such as Liezi and Zhuangzi recounted fairy tales in their philosophical works. In the broader definition of the genre, the first famous Western fairy tales are those of Aesop (6th century BC) in ancient Greece.
--------------
In meteorology, a cloud is an aerosol consisting of a visible mass of minute liquid droplets, frozen crystals, or other particles suspended in the atmosphere of a planetary body or similar space. Water or various other chemicals may compose the droplets and crystals. On Earth, clouds are formed as a result of saturation of the air when it is cooled to its dew point, or when it gains sufficient moisture (usually in the form of water vapor) from an adjacent source to raise the dew point to the ambient temperature. They are seen in the Earth's homosphere, which includes the troposphere, stratosphere, and mesosphere. Nephology is the science of clouds, which is undertaken in the cloud physics branch of meteorology. There are two methods of naming clouds in their respective layers of the homosphere, Latin and common.
Genus types in the troposphere, the atmospheric layer closest to Earth's surface, have Latin names because of the universal adoption of Luke Howard's nomenclature that was formally proposed in 1802. It became the basis of a modern international system that divides clouds into five physical forms which can be further divided or classified into altitude levels to derive ten basic genera. The main representative cloud types for each of these forms are stratus, cirrus, stratocumulus, cumulus, and cumulonimbus. Low-level clouds do not have any altitude-related prefixes. However mid-level stratiform and stratocumuliform types are given the prefix alto- while high-level variants of these same two forms carry the prefix cirro-. In both cases, strato- is dropped from the latter form to avoid double-prefixing. Genus types with sufficient vertical extent to occupy more than one level do not carry any altitude related prefixes. They are classified formally as low- or mid-level depending on the altitude at which each initially forms, and are also more informally characterized as multi-level or vertical. Most of the ten genera derived by this method of classification can be subdivided into species and further subdivided into varieties. Very low stratiform clouds that extend down to the Earth's surface are given the common names fog and mist, but have no Latin names.
In the stratosphere and mesosphere, clouds have common names for their main types. They may have the appearance of stratiform veils or sheets, cirriform wisps, or stratocumuliform bands or ripples. They are seen infrequently, mostly in the polar regions of Earth. Clouds have been observed in the atmospheres of other planets and moons in the Solar System and beyond. However, due to their different temperature characteristics, they are often composed of other substances such as methane, ammonia, and sulfuric acid, as well as water.
Tropospheric clouds can have a direct effect on climate change on Earth. They may reflect incoming rays from the sun which can contribute to a cooling effect where and when these clouds occur, or trap longer wave radiation that reflects back up from the Earth's surface which can cause a warming effect. The altitude, form, and thickness of the clouds are the main factors that affect the local heating or cooling of Earth and the atmosphere. Clouds that form above the troposphere are too scarce and too thin to have any influence on climate change. Clouds are the main uncertainty in climate sensitivity.
Etymology
The origin of the term "cloud" can be found in the Old English words clud or clod, meaning a hill or a mass of stone. Around the beginning of the 13th century, the word came to be used as a metaphor for rain clouds, because of the similarity in appearance between a mass of rock and cumulus heap cloud. Over time, the metaphoric usage of the word supplanted the Old English weolcan, which had been the literal term for clouds in general.
Aristotle
Ancient cloud studies were not made in isolation, but were observed in combination with other weather elements and even other natural sciences. Around 340 BC, Greek philosopher Aristotle wrote Meteorologica, a work which represented the sum of knowledge of the time about natural science, including weather and climate. For the first time, precipitation and the clouds from which precipitation fell were called meteors, which originate from the Greek word meteoros, meaning 'high in the sky'. From that word came the modern term meteorology, the study of clouds and weather. Meteorologica was based on intuition and simple observation, but not on what is now considered the scientific method. Nevertheless, it was the first known work that attempted to treat a broad range of meteorological topics in a systematic way, especially the hydrological cycle.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending) or "fairy tale romance" (though not all fairy tales end happily). Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale.
In cultures where demons and witches are perceived as real, fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
Fairy tales are found in oral and in literary form. The history of the fairy tale is particularly difficult to trace, because only the literary forms can survive. Still, the evidence of literary works at least indicates that fairy tales have existed for thousands of years, although not perhaps recognized as a genre; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world. Fairy tales, and works derived from fairy tales, are still written today.
The older fairy tales were intended for an audience of adults as well as children, but they were associated with children as early as the writings of the précieuses; the Brothers Grimm titled their collection Children's and Household Tales, and the link with children has only grown stronger with time.
Folklorists have classified fairy tales in various ways. Among the most notable are the Aarne-Thompson classification system and the morphological analysis of Vladimir Propp. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales.
Although the fairy tale is a distinct genre within the larger category of folktale, the definition that marks a work as a fairy tale is a source of considerable dispute. One universally agreed-upon matter is that fairy tales do not require fairies. (The term itself comes from the translation of Madame D'Aulnoy's conte de fées, first used in her collection in 1697.) Common parlance conflates fairy tales with beast fables and other folktales, and scholars differ on the degree to which the presence of fairies and/or similarly mythical beings (e.g., elves, goblins, trolls, giants) should be taken as a differentiator. Vladimir Propp, in his Morphology of the Folktale, criticized the common distinction between "fairy tales" and "animal tales" on the grounds that many tales contained both fantastic elements and animals. Nevertheless, to select works for his analysis, Propp used all Russian folktales classified as a folk lore Aarne-Thompson 300-749—in a cataloguing system that made such a distinction—to gain a clear set of tales. His own analysis identified fairy tales by their plot elements, but that in itself has been criticized, as the analysis does not lend itself easily to tales that do not involve a quest, and furthermore, the same plot elements are found in non-fairy tale works.
Folk and literary
Many writers have written in the form of the fairy tale. These are the literary fairy tales, or Kunstmärchen. The oldest forms, from Panchatantra to the Pentamerone, show considerable reworking from the oral form. The Brothers Grimm were among the first to try to preserve the features of oral tales. Yet the stories printed under the Grimm name have been considerably reworked to fit the written form.
Literary fairy tales and oral fairy tales freely exchanged plots, motifs, and elements with one another and with the tales of foreign lands. Many 18th-century folklorists attempted to recover the "pure" folktale, uncontaminated by literary versions. Yet while oral fairy tales likely existed for thousands of years before the literary forms, there is no pure folktale. And each literary fairy tale draws on folk traditions, if only in parody. This makes it impossible to trace forms of transmission of a fairy tale. Oral story-tellers have been known to read literary fairy tales to increase their own stock of stories and treatments.
History
The oral tradition of the fairy tale came long before the written page. Tales were told or enacted dramatically, rather than written down, and handed down from generation to generation. Because of this, the history of their development is necessarily obscure. The oldest known written fairy tales stem from ancient Egypt, c. 1300 BC (ex. The Tale of Two Brothers), and fairy tales appear, now and again, in written literature throughout literate cultures, as in The Golden Ass, which includes Cupid and Psyche (Roman, 100–200 AD), or the Panchatantra (India 3rd century BCE), but it is unknown to what extent these reflect the actual folk tales even of their own time. The stylistic evidence indicates that these, and many later collections, reworked folk tales into literary forms. What they do show is that the fairy tale has ancient roots, older than the Arabian Nights collection of magical tales (compiled circa 1500 AD), such as Vikram and the Vampire, and Bel and the Dragon. Besides such collections and individual tales, in China, Taoist philosophers such as Liezi and Zhuangzi recounted fairy tales in their philosophical works. In the broader definition of the genre, the first famous Western fairy tales are those of Aesop (6th century BC) in ancient Greece.
--------------
In meteorology, a cloud is an aerosol consisting of a visible mass of minute liquid droplets, frozen crystals, or other particles suspended in the atmosphere of a planetary body or similar space. Water or various other chemicals may compose the droplets and crystals. On Earth, clouds are formed as a result of saturation of the air when it is cooled to its dew point, or when it gains sufficient moisture (usually in the form of water vapor) from an adjacent source to raise the dew point to the ambient temperature. They are seen in the Earth's homosphere, which includes the troposphere, stratosphere, and mesosphere. Nephology is the science of clouds, which is undertaken in the cloud physics branch of meteorology. There are two methods of naming clouds in their respective layers of the homosphere, Latin and common.
Genus types in the troposphere, the atmospheric layer closest to Earth's surface, have Latin names because of the universal adoption of Luke Howard's nomenclature that was formally proposed in 1802. It became the basis of a modern international system that divides clouds into five physical forms which can be further divided or classified into altitude levels to derive ten basic genera. The main representative cloud types for each of these forms are stratus, cirrus, stratocumulus, cumulus, and cumulonimbus. Low-level clouds do not have any altitude-related prefixes. However mid-level stratiform and stratocumuliform types are given the prefix alto- while high-level variants of these same two forms carry the prefix cirro-. In both cases, strato- is dropped from the latter form to avoid double-prefixing. Genus types with sufficient vertical extent to occupy more than one level do not carry any altitude related prefixes. They are classified formally as low- or mid-level depending on the altitude at which each initially forms, and are also more informally characterized as multi-level or vertical. Most of the ten genera derived by this method of classification can be subdivided into species and further subdivided into varieties. Very low stratiform clouds that extend down to the Earth's surface are given the common names fog and mist, but have no Latin names.
In the stratosphere and mesosphere, clouds have common names for their main types. They may have the appearance of stratiform veils or sheets, cirriform wisps, or stratocumuliform bands or ripples. They are seen infrequently, mostly in the polar regions of Earth. Clouds have been observed in the atmospheres of other planets and moons in the Solar System and beyond. However, due to their different temperature characteristics, they are often composed of other substances such as methane, ammonia, and sulfuric acid, as well as water.
Tropospheric clouds can have a direct effect on climate change on Earth. They may reflect incoming rays from the sun which can contribute to a cooling effect where and when these clouds occur, or trap longer wave radiation that reflects back up from the Earth's surface which can cause a warming effect. The altitude, form, and thickness of the clouds are the main factors that affect the local heating or cooling of Earth and the atmosphere. Clouds that form above the troposphere are too scarce and too thin to have any influence on climate change. Clouds are the main uncertainty in climate sensitivity.
Etymology
The origin of the term "cloud" can be found in the Old English words clud or clod, meaning a hill or a mass of stone. Around the beginning of the 13th century, the word came to be used as a metaphor for rain clouds, because of the similarity in appearance between a mass of rock and cumulus heap cloud. Over time, the metaphoric usage of the word supplanted the Old English weolcan, which had been the literal term for clouds in general.
Aristotle
Ancient cloud studies were not made in isolation, but were observed in combination with other weather elements and even other natural sciences. Around 340 BC, Greek philosopher Aristotle wrote Meteorologica, a work which represented the sum of knowledge of the time about natural science, including weather and climate. For the first time, precipitation and the clouds from which precipitation fell were called meteors, which originate from the Greek word meteoros, meaning 'high in the sky'. From that word came the modern term meteorology, the study of clouds and weather. Meteorologica was based on intuition and simple observation, but not on what is now considered the scientific method. Nevertheless, it was the first known work that attempted to treat a broad range of meteorological topics in a systematic way, especially the hydrological cycle.
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