1927 EMILE GABORIAU MYSTERY OF ORCIVAL FRENCH CRIME DETECTIVE NOVEL JULES GUERIN



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THE MYSTERY OF ORCIVAL
(LE CRIME D'ORCIVAL)

TRANSLATED FROM THE FRENCH OF
EMILE GABORIUA
CHARLES SCRIBNER'S SONS
NEW YORK 1927
COPYRIGHT
1871 BY
HOLT & WILLIAMS
COPYRIGHT 1900 BY
CSS
PRINTED IN THE UNITED STATES


376 PAGES
HARD COVER
HAND CUT PAGES
BINDING IS OK
SOME PAGES AND SEEM ARE LOOSENING
OTHERWISE A GOOD BOOK
(1) ILLUSTRATION BY
JULES GUERIN





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FYI 


 

 
 

Emile Gaboriau (November 9, 1832 – September 28, 1873) was a French writer, novelist, journalist, and a pioneer of detective fiction.

Gaboriau was born in the small town of Saujon, Charente-Maritime. He became a secretary to Paul Feval, and after publishing some novels and miscellaneous writings, found his real gift in L'Affaire Lerouge (1866).

The book, which was Gaboriau's first detective novel, introduced an amateur detective. It also introduced a young police officer named Monsieur Lecoq, who was the hero in three of Gaboriau's later detective novels. The character of Lecoq was based on a real-life thief turned police officer, Eugene Francois Vidocq (1775–1857), whose own memoirs, Les Vrais Memoires de Vidocq, mixed fiction and fact. It may also have been influenced by the villainous Monsieur Lecoq, one of the main protagonists of Feval's Les Habits Noirs book series.

The book was published in "Le Siecle" and at once made his reputation. Gaboriau gained a huge following, but when Arthur Conan Doyle created Sherlock Holmes, Monsieur Lecoq's international fame declined. The story was produced on the stage in 1872. A long series of novels dealing with the annals of the police court followed, and proved very popular. Gaboriau died in Paris of pulmonary apoplexy.

Gaboriau's books were generally well received. About the Mystery of the Orcival, Harper's wrote in 1872 "Of its class of romance - French sensational - this is a remarkable and unique specimen". A film version of Le Dossier n° 113 (File No. 113) was released in 1932.

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Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—either professional or amateur—investigates a crime, often murder.

Beginnings of detective fiction
In ancient literature
Some scholars have suggested that certain ancient and religious texts bear similarities to what would later be called detective fiction. In the Old Testament story of Susanna and the Elders (the Protestant Bible locates this story within the apocrypha), the account told by two witnesses breaks down when Daniel cross-examines them. The author Julian Symons has commented on writers who see this as a detective story, arguing that "those who search for fragments of detection in the Bible and Herodotus are looking only for puzzles" and that these puzzles are not detective stories. In the play Oedipus Rex by Ancient Greek playwright Sophocles, the title character discovers the truth about his origins after questioning various witnesses. Although "Oedipus's enquiry is based on supernatural, pre-rational methods that are evident in most narratives of crime until the development of Enlightenment thought in the seventeenth and eighteenth centuries", this narrative has "all of the central characteristics and formal elements of the detective story, including a mystery surrounding a murder, a closed circle of suspects, and the gradual uncovering of a hidden past."

Early Arab detective fiction
The earliest known example of a detective story was The Three Apples, one of the tales narrated by Scheherazade in the One Thousand and One Nights (Arabian Nights). In this story, a fisherman discovers a heavy, locked chest along the Tigris river and he sells it to the Abbasid Caliph, Harun al-Rashid. When Harun breaks open the chest, he finds inside it, the dead body of a young woman who had been cut into pieces. Harun then orders his vizier, Ja'far ibn Yahya, to solve the crime and to find the murderer within three days, or be executed if he fails in his assignment. Suspense is generated through multiple plot twists that occur as the story progresses. This may thus be considered an archetype for detective fiction.

The main difference between Ja'far ("The Three Apples") and later fictional detectives, such as Sherlock Holmes and Hercule Poirot, is that Ja'far has no actual desire to solve the case. The whodunit mystery is solved when the murderer himself confesses his crime. this in turn leads to another assignment in which Ja'far has to find the culprit who instigated the murder within three days or else be executed. Ja'far again fails to find the culprit before the deadline, but owing to his chance discovery of a key item, he eventually manages to solve the case through reasoning, in order to prevent his own execution.

Early Chinese detective fiction
Gong'an fiction (公案小说, literally: "case records of a public law court") is the earliest known genre of Chinese detective fiction.

Some well known stories include the Yuan Dynasty story Circle of Chalk (Chinese:灰闌記), the Ming Dynasty story collection Bao Gong An (Chinese:包公案) and the 18th century Di Gong An (Chinese:狄公案) story collection. The latter was translated into English as Celebrated Cases of Judge Dee by Dutch sinologist Robert Van Gulik, who then used the style and characters to write an original Judge Dee series.

The hero/detective of these novels is typically a traditional judge or similar official based on historical personages such as Judge Bao (Bao Qingtian) or Judge Dee (Di Renjie). Although the historical characters may have lived in an earlier period (such as the Song or Tang dynasty) most stories are written in the latter Ming or Qing period.

These novels differ from the Western tradition in several points as described by van Gulik:
the detective is the local magistrate who is usually involved in several unrelated cases simultaneously;
the criminal is introduced at the very start of the story and his crime and reasons are carefully explained, thus constituting an inverted detective story rather than a "puzzle";
the stories have a supernatural element with ghosts telling people about their death and even accusing the criminal;
the stories are filled with digressions into philosophy, the complete texts of official documents, and much more, making for very long books;
the novels tend to have a huge cast of characters, typically in the hundreds, all described as to their relation to the various main actors in the story.
Van Gulik chose Di Gong An to translate because it was in his view closer to the Western tradition and more likely to appeal to non-Chinese readers.

One notable fact is that a number of Gong An works may have been lost or destroyed during the Literary Inquisitions and the wars in ancient China. Only little or incomplete case volumes can be found; for example, the only copy of Di Gong An was found at a second-hand book store in Tokyo, Japan.

Early Western detective fiction
One of the earliest examples of detective fiction is Voltaire's Zadig (1748), which features a main character who performs feats of analysis. Things as They Are; or, The Adventures of Caleb Williams (1794) by William Godwin shows the law as protecting the murderer and destroying the innocent. Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street officer was published in London in 1827, the Danish crime story The Rector of Veilbye by Steen Steensen Blicher was written in 1829, and the Norwegian crime novel Mordet pa Maskinbygger Rolfsen ("The Murder of Engine Maker Rolfsen") by Maurits Hansen was published in 1839.

"Das Fraulein von Scuderi", an 1819 short story by E. T. A. Hoffmann, in which Mlle de Scudery establishes the innocence of the police's favorite suspect in the murder of a jeweller, is sometimes cited as the first detective story and a direct influence on Edgar Allan Poe's "The Murders in the Rue Morgue" (1841). Also suggested as a possible influence on Poe is ‘The Secret Cell’, a short story published in September 1837 by William Evans Burton, describing how a London policeman solves the mystery of a kidnapped girl. Burton’s fictional detective relies on practical methods—dogged legwork, knowledge of the underworld and undercover surveillance—rather than brilliance of imagination or intellect, but it has been suggested this story may have been known to Poe, who in 1839 worked for Burton.

 



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