TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: DECEMBER 1980; VOLUME 44, ISSUE 461
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

FRONT COVER: A large detail of Annunciation to the Magi, inked from a deeply etched plate, by Mary Tiff, 1977, embossment on sheet brass mounted on tinted ltalia, 7 1/2 x 6 (image size). Collection the artist.

FEATURES:
MARY TIFF MAKES ELEGANT PRINTS by Mary Carroll Nelson. This California printmaker combines techniques and materials to create witty, elegant prints. For example, she may combine etching and screen printing to produce a print on gold foil mounted on a handmade paper or an etching paper. Tift's working procedures are documented in thIs article.

TREVOR SOUTHEY: IMAGES AND IDEAS by Trevor Southey. In his own words, Southey, who now lives in Utah, describes his development as an artist after arriving in this country from his native Rhodesia (Zimbabwe). The artist explains how his Mormon faith, his teaching experiences, and his deep feelings about his fellowman have shaped his work.

A CONVERSATION WITH HOWARD A. CURTIS by Charles Movalli. "I'm not an outdoor painter," says this Gloucester, Massachusetts, artist. "I walk and look, trying to absorb the essence of the rocks, sky, and sea on a particular day. In this article, Curtis talks further about working from mental images.

THE WATERCOLOR PAGE: BETTY LYNCH. This Texas watercolorist, who has traveled around the world recording colorful scenes, gives a step-by-step demonstration of her procedures for completing a painting.

ROSWELL WEIDNER: PAINTING IN THE PINE BARRENS by William P. Scott. The New Jersey Pine Barrens serves as the focus of Roswell Weidner's Monet-like pastel paintings. The artist rows out to the middle of the marshy area and records his response to the colors, sunlight, and natural forms.

RELIGIOUS THEMES IN AMERICAN ART by Louise Bruner. As a member of the Friends of American Art in Religion, Bruner helped organize an exhibit of American art at the Vatican in Rome. In this article, she points out the religious or spiritual themes found in the American works shown.

ELEANOR DICKINSON: SOCIAL HISTORIAN AND ARTIST by Helga Epstein. This artist has an unusual style of drawing with markers, and she is concerned with subjects that few artists record--religious revivals, old men and women, and embracing parents and children.

OFFERING AID TO FELLOW ARTISTS by Patricia Poull Newsom. This article describes the history and workings of Artists' Fellowship, an organization of artists and non-artists that came into being 121 years ago.

DEPARTMENTS:
FOOTNOTES.
LETTERS.
LOOKING AT PAINTINGS, with Bernard Dunstan.
PROFESSIONAL PAGE by Betty Chamberlain.
TECHNICAL PAGE by Prof. Clifford T. Chieffo.
FORUM:
How Will the Age of Technology Affect American Crafts? by Adele S. Greene.
ART BOOKS. GALLERY HAPPENINGS. EXHIBITS ON TOUR. ART MART. BULLETIN BOARD. GUIDE TO ADVERTISING. INDEX FOR 1980 ARTICLES.

______
Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31

---